Generation Stage Practice and the Bardo

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The following is an excerpt from a teaching by Jetsunma Ahkon Lhamo offered during a Phowa retreat:

There is one way that you can help yourself to prepare for the bardo state. As I begin to explain the bardo of becoming now, which is the next stage in the bardo, and a very important one, you will see how important it will be to you if you can successfully practice generating yourself as the deity. That’s called generation stage practice. That is a practice that is available for you to learn right now, even before practicing your Ngöndro. It is permissible, acceptable and desirable for each of you to practice, first of all, the Shower of Blessings, which is the generation of Guru Rinpoche—not oneself as Guru Rinpoche, but a generation of Guru Rinpoche in front of oneself giving blessings. That brings about a definite firming and developing of one’s relationship with Guru Rinpoche—one’s relationship with the appearance—the nirmanakaya form of all the Buddhas, in fact, because it gives us a relationship with the appearance form of that which is actually enlightenment itself. So there is that. There is also, even before Ngöndro, the opportunity to practice generating oneself as Chenrezig. Chenrezig is considered to be one of the main bodhisattvas who can block rebirth in the lower realms.

Phenomena is not solid and concrete the way we think it is. So we find that in generation stage practice we have the wonderful opportunity to be able to meditate on our true nature, allowing ourselves to dissolve into emptiness. Subtly we dissolve into emptiness and remain meditating on emptiness just momentarily, meditating on the emptiness or illusory quality of our own nature. Then we give rise to our self as the deity, and that takes different forms. Generally, it starts with a seed syllable which is symbolic of the qualities and mind state of the deity. Then after that, we begin to actually give rise to our self as the deity. But the deity is understood to be only as solid as, say, a bubble, or as gossamer thin, if you will, as a whisper. It has all of the solidity of dew, just before the sun dries it up. We generate ourselves as that deity and we are subtly meditating on a dis-attachment to the heaviness of our own consideration of what we are.  We’re also seeing ourselves in a completely different way.

Now why does generation stage practice prepare us for the bardo? First of all, it gives us enough spaciousness in our mind to have another idea besides ‘I am, and I want,’ which is probably the only idea we ever have, if you boil it all down—‘I am, I want, I think.’ So here we are in the bardo able to take a step back from that, and perhaps that will give us the spaciousness, the moment of space, that we need. Somewhere inside that knee jerk reaction tendency, we need to have a moment of space where we can consider where we are and what to do about it. And the lightening up that we have in generation stage practice will help with that. Furthermore, and most importantly, we will begin to recognize these displays, these many displays of the Buddha nature that appear as the meditational deities. These are forms, these are display forms which are actually pictures of, or movements that express, or dances that show, or colors that display or indicate, the qualities of enlightenment. That’s actually what the meditational deities are, if you think about it. They are enlightenment in display or emanation form. What they are holding in their hands, what they’re doing, indicates to us those particular qualities that are being isolated and demonstrated at that time. So we become familiar with the many different ways in which our Buddha nature is demonstrated, is displayed, and that prepares us for the bardo of becoming, because it is in the bardo of becoming that the BBuddhas actually come to meet us.  We will see them, and we can have liberation through recognition. It is actually the easiest form of liberation in the bardo. That is liberation through recognition. For most of us, that will be the easiest form.

Copyright © Jetsunma Ahkon Norbu Lhamo All rights reserved

The Sphere of Truth

The following is an excerpt from a teaching by Jetsunma Ahkon Lhamo called “Tools to Deepen in Your Practice”

When it comes to gathering wisdom and to understanding the difference between wisdom and knowledge, knowledge would be all the facts that you absorb from your text or from reading or from your teacher or from tapes that you might have heardthat allow you to accomplish that ‘letting go of the senses.’  The actual opening the senses and relaxing them is like a hand. If my hand is like this, it’s around something; the shape is defined.  And here in your meditation on emptiness, it’s more like this (Jetsunma relaxes the hand grip) and the hand is open.  And while the hand is open, if it were possible to truly do this in a profound way, it would be like it says in the Guru Yoga generation stage in the Shower of Blessings: ”His great bliss flashes in the fundamental space of the five lights.” That’s it.

If you could really read and understand that line, that would be so good.  “His great bliss flashes in the fundamental space of the five lights.”  Well, what are the five lights?  They are the senses.  While we are considering them solid, we can name them and describe them.  But it says here, “…the fundamental space of the five lights”. So the senses become ‘fundamental space’.  The trick is that when we are not grasping and reacting, the natural state of bliss arises.  And so here they’re talking about Guru Rinpoche, and they’re saying, “His great bliss flashes in the fundamental space of the five lights”.  Such renunciation of the grasping of phenomena is implied in that line.  Such renunciation.  Such accomplishment.  And true understanding of what the five senses are.  Because like the light coming through the crystal, they all arise from the fundamental bliss that is our uncontrived primordial nature.  That’s an amazing line.  And of course, by going deeply into your practice, one would want to read again and again the different words that you are reciting in Tibetan in English, so that you can really understand what it is that you are doing.

So for a Tantric practitioner, it’s all about practicing the awareness of the fundamental sphere of truth that we habitually perceive as phenomena.

Copyright © Jetsunma Ahkon Norbu Lhamo All rights reserved

The Wedding Cake: Stages of the Path

The following is from a series of tweets by Jetsunma Ahkon Lhamo:

Yesterday a new student asked the following question, “What is the difference between Mahayana and Vajrayana?” She had studied for six years from books. This question can take years to answer! So I apologize for giving the quick cereal box top version.

There are three main levels of Lord Buddha’s teachings. They can be thought of as a “wedding cake” shape, if you will.

The first Level was the first teaching, Theravadin. It is based square on the Vinaya structure, relates to purity and no-harm. It is the basis for all further turning of the “Wheel of Dharma.”

The next layer of the cake would be Mahayana, or “Great Vehicle” and is associated with the Bodhisattva vow, along with refuge in the Three Jewels, Buddha, Dharma, and Sangha. Now, in the Vinaya, to purify, one gender must not touch opposite sex, handle money, has many laws. In Mahayana, the same laws apply but are modified by the Bodhisattva vow. In that vow one cultivates Bodhicitta, compassion. So a monk could theoretically touch a woman to give aid, medicine, food, comfort, support. And as Bodhisattvas in training, vow to liberate and care for all sentient beings. Through ordinary and ultimate kindness. In Mahayana we dedicate all our merit, practice, efforts to all beings, thinking of them as our own kind mothers in all lives. And we help all we can.

Vajrayana is like the top level if the wedding cake. It is a very profound and mystical level. And within that there are preliminary, generation stage, and lastly completion stage practice. Preliminary is Ngundro, generation is of the three Roots of practice: Lama, yidam, and khandro with protectors. The completion stages are Tsa-lung, Togyal and Trek Chod. These are the practices that can deliver Liberation in one lifetime.

Now here is the thing. These wedding cake layers cannot be separated, or the whole thing falls down. Theravadin, Mahayana and Vajrayana are totally and completely inseparable. If not the case, there is no stability in the practice. One sustains the other and is it’s very foundation! It’s support. So the Vinaya supports and gives rise to, through purification, the Mahayana Bodhisattva level, with additional vows. The top layer is totally depending on the other layers and they cannot be separated. Vajrayana requires the practice of giving rise to Bodhicitta because the yidams, the Three Roots, are the very display of Bodhicitta in the world! They are not ordinary and come from the play, the dance of the Buddha nature in phenomena. Each and every yidam or meditational deity is not separate from Bodhicitta, never could be, or it could not be a display of the Buddha.

We must learn to accept the feast of the whole cake as it is. We cannot pick the easy part, the one we like best to feel smart. We cannot change the cake. We can change the flavor, the color, to suit our culture, but not the layer cake!

And what is at the top? The union, Yab/Yum. Wisdom and compassion; emptiness and method. Or empty primordial nature couples with display/samaya in that union, we are liberated! EH MA HO!

OM AH HUNG BENZAR GURU PEDMA SIDDHI HUNG!

Copyright © Jetsunma Ahkon Lhamo.  All rights reserved

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